“Vue de Capri/ View of Capri” (1851) by Vilhelm Kyhn. Oil on paper, mounted on canvas. (Private Collection, London) |
“Trinità dei Monti in the Snow” (1825/1830) André Giroux Santa. Oil on paper, mounted on canvas. National Gallery of Art |
“View of Bozen with a Painter” (1837) by Jules Coignet. Oil on paper, mounted on canvas. |
Art critic Sebastian Smee of the Washington Post describes the show as radical, and one of the most important things going on in Washington right now. He says the effect is "Gorgeous! Warm sun illuminating the buildings and bridges on the island of San Bartolomeo. Oh! Vesuvius in the distant haze, beyond the backlit buildings of Naples. . . . The effect of light rinsing the eyes, of freshness and immediacy, of truth — it shouldn’t be so striking, so unaccountably emotional."
The show "True to Nature: Open-air Painting in Europe 1780-1870," is on view at the National Gallery of Art through May 3, 2020.
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Catalog: True to Nature True to Nature: Open-air Painting in Europe 1780–1870. 256 pages, 140 color reproductions.
National Gallery Website
Washington Post article
Thanks, Dennis Applebee
National Gallery Website
Washington Post article
Thanks, Dennis Applebee
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