Normally, I try to stay true to what I'm seeing. But you're right, those changes happened, not so much as a deliberate compositional decision, but rather as the result of a sort of controlled emergency, like landing a parachute in a windstorm. I tried to lock in the frog first, assuming he'd move, and built the lily pads around him. I deleted some of the closer pads to make space for the rippling water which gave the picture some movement and context.
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