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domi_digital asks: "I need to get something cleared up. What is the biggest reason that pro artists tell me to draw from life? My opinion is, it's to get a sense for 3d space, and therefore placement of objects in that space. I've drawn from life before, but as a beginner it was really overwhelming. I drew still objects, but I can't even imagine how hard it is to draw a moving subject."

Answer: Yes, you're right. Translating 3D space to a 2D piece of paper is a cognitive skill that you develop while drawing from life. Does that skill make you better at creating a sense of solid 3D form or a feeling of depth when you draw from your imagination? I don't know, but I suspect it does. 

Also, as you suggest, when you draw a moving object, you develop your speed of execution. You'll be able to paint a picture in a fraction of the time it would take you in the studio. 

But drawing from life is more than a method of developing your skills. It builds your visual vocabulary. It puts you in direct contact with visual effects that cameras can't see. 

There's no filter. There's nothing between you and the subject: no lens, no film, no sensor, no distortion, no picture frame, no style guide, no color picker, no caption, and best of all, no words. As long as you're looking at photos or other people's art, you remain in the cave looking at shadows on the wall. 

Drawing by A. Menzel, 1902 
Profile study of a man with
sketching block and pencils

Drawings done from life by artists from centuries ago somehow transcend the stylistic mould of their times. 

Finally, it's a powerful experience on its own terms that makes you feel more alive and connected. When you draw or paint from life, you become very aware that everything is moving and changing: the sunlight moves, flowers fade, and the tide comes in. It's always a good thing to get in touch with the dynamic universe.