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| Arthur Parton, Lake Scene, 1876 |
Several artists have accomplished this effect of a big gradation around the sun, which influences everything around the source.
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| Frederic Church |
It's kind of difficult to paint this situation from real life because you can hurt your eyes looking straight into the sun. If it's veiled behind enough clouds, you can do it. Scenes like this are composed from memory and imagination.
Russian seascape painter Aivazovsky often applied the effect to seascapes. He suppresses contrasts in the far waves, allowing the big gradation to envelop them.
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| Franz Richard Unterberger, Venice Under Sunset |
Unterberger captures an effect that is more of a perceptual impression than a photographic transcription.
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