Brushstroke Tips

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The painting knife in #5 refers to oil painters. In #6, I'm talking about the opposite pointed end of the brush. The purpose of these tips is to help us get us to #10—to guide our imaginations beyond the surface of the painting so we can live inside it. 

Good brush technique happens when you convey the most information with the least effort. But we don't want technique to be the subject. It's easy to make a painting look like paint; the viewer's awareness of the surface is a given. Painterly execution should invite the viewer beyond the brushstrokes.

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Previously: "Ten Tips for Better Brushstrokes"

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