Here's my taboret setup for oil painting.
1. The tube colors are squeezed out on the floating bar at left, but I don't use them straight from the tube.
2. Instead I pre-mix value "strings" of five colors and only draw from those colors . That way I stay inside the gamut (triangle in color wheel, above)
3. I use Liquin for a medium, which speed drying, plus mineral spirits, but I may do away with the latter for health reasons.
4. The brush wash tank is a peanut butter jar with a little plastic cup dropped in the lid, with holes drilled into the bottom of the cup.
5. The whole thing sets on a rolling cabinet. In the top drawer are pencils, lots of pencils.
6. A take-out container with a slot cut through the lid holds paint scrapings, discarded on hazardous material days.
7. Old cotton T-shirts make great paint rags. A wiggly wire holds the handles up a little.
8. Paint mixing area tips up on hinges. The polyethylene-coated mixing paper is hidden behind the left edge. I tear off old mixtures as I pull the paper through.
9. Brushes: Nylon flats, long bristle filberts, and watercolor rounds are my favorites.
3. I use Liquin for a medium, which speed drying, plus mineral spirits, but I may do away with the latter for health reasons.
4. The brush wash tank is a peanut butter jar with a little plastic cup dropped in the lid, with holes drilled into the bottom of the cup.
5. The whole thing sets on a rolling cabinet. In the top drawer are pencils, lots of pencils.
6. A take-out container with a slot cut through the lid holds paint scrapings, discarded on hazardous material days.
7. Old cotton T-shirts make great paint rags. A wiggly wire holds the handles up a little.
8. Paint mixing area tips up on hinges. The polyethylene-coated mixing paper is hidden behind the left edge. I tear off old mixtures as I pull the paper through.
9. Brushes: Nylon flats, long bristle filberts, and watercolor rounds are my favorites.
More in my book Color and Light: A Guide for the Realist Painter
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