Gabriel Ritter von Max (1840-1915) painted satirical pictures of monkeys in human roles. He earned the nickname “Affenmaler,” (monkey painter).
In the 19th century, many people were seeing live monkeys for the first time. The London Zoo opened in 1828, and the Philadelphia Zoo opened in 1874.
There were also traveling performers with monkeys dressed as humans. Seeing animals up close in an era before wildlife films must have been a revelation.
Charles Darwin's book "On the Origin of the Species" was published in 1859, which began to draw the connection between human and non-human primates.
Von Max, Monkeys as Judges of Art, 1896
Von Max had monkeys as pets, too. He adopted his first capuchin monkey in 1870, and later:
"he bred the animals at his Munich home near Starnberger Lake. He painted the monkeys in both living and deceased states; when the monkeys died, he positioned their bodies in specific poses and photographed them as material for later paintings. Von Max was fascinated with the link between humans and primates, an interest that aligned with the recent developments in evolutionary biology. Whereas the tradition in European paintings often associated monkeys with the vulnerabilities of humans, von Max humanized his subjects."Source for quote.
Wikipedia Gabriel Ritter von Max. He also painted spiritual subjects which deserve another post.
Book: Gabriel von Max
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